Thursday, July 14, 2011

When and When Not To (part 3)

This may be the last part in this series that I write.  It’s definitely the shortest  but it is by no means the end for anyone, including myself.  I often believe that I am not teaching people how to fight, but how not to.  The tools that I and my fellow instructors give our students, just as we exchange among ourselves are meant to insure safety.

What’s the best way to be safe?  To not be in danger.

What’s the most effective block?  Not being there in the first place.

How do you avoid being hit?  By not making yourself a target.

All of these ideas have something lurking in the background.  It can be hard to fathom and sometimes it’s the younger ones among us who see it first.  They haven’t had time to have had their vision clouded and distorted by time.

Wisdom.

You’re gonna know when and when not to.  It can be a difficult road, especially for those of us that have anger and other less positive emotions tucked away inside ourselves but . . .

. . . you will know.

Wednesday, May 25, 2011

Black Belt Advancement

Beatriz Souza, Kelsi Budinger and Bailly Silver- TMA Overlake's newest 1st degrees.


Sunday, December 19, 2010

When and When Not To (part 2)

This was originally going to be about self-confidence and what it does to the safety of you and those around you.  Unfortunately something occurred in the last few days to bring about an impromptu addition of “When and When Not To.”

This is how I feel about fight clubs:

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I would also like to note that in the movie Fight Club the fight club in question was started by a schizophrenic sociopath.  Also, the film itself was about much more than a bunch of dumbasses beating the crap out of each other.  Excuse my “French” but I feel very strongly about this.

So, by now you may have guessed that one or more of my teenage students participated in this idiocy and you would be right.  This has happened twice in my martial arts tenure and the result was the same both times: the student was kicked out of the school.

And rightly so.  You could argue, weakly in my opinion, that kicking the student out would be counter-productive, that the school should help rehabilitate the student rather than sever contact.  My response is simple – there is a line that was crossed and the student must take responsibility for their actions.  This isn’t the case of an eight year old miss-using his or her martial arts on the playground.  That has happened as well and that is a time that you want, and need, to keep the student in the school because they are still learning.  Even then, they know they messed up and learning is already in progress.

But in high school after years of training as a martial artist?  No, you know what’s right and wrong.  To willingly, intentionally harm another person is opposite everything we teach.  I can say with absolute certainty, “I didn’t teach that!”  I take it personally as an insult to my teaching and everything the school stands for.

Did I fail the student?  No, the student failed me.  Harsh?  Yes.  Arrogant?  Possibly but there are times when this sort of thing is true.

Do you give up an the student?  Do I give up on the student?  No, but I will admit I’m human and this affects me greatly.  Mostly I’m angry and in order for me to move forward I will have to get past that and in instances like this it will take a little time I’m sad to say.

I’ve never said this before but feel I need to now.  The opinions expressed in this blog are my own and do not reflect those of anyone else including my Chief Instructor, fellow instructors and those that I teach.  I always welcome comments and criticism because I feel those who make it, should be able to take it.

Wednesday, November 3, 2010

When and When Not To (part 1)

You’re seven years old and it’s recess.  You and your friends are just hangin’ around when the school bully walks up to you.  He’s bugged you in the past and you’re sure he’s going to bug you again, especially since he’s in a “wedgie phase.”  You’ve had enough.  You have taken some martial arts and you are finally going to stand up to him.  He walks up and you throw a punch at him.

WRONG.

How wrong is this?  Well for starters:

  • You started it.
  • You hit him without warning.
  • You probably missed.
  • You both got hurt.
  • Others may have gotten hurt.
  • You both ended up in the principal’s office.
  • You misused your martial arts.

“But . . . but . . . but . . .”

No “buts” about it.  You were wrong.

A responsible and respectful martial artist uses their art to keep themselves and their loved ones safe and healthy.  Period.  End of story.  No more questions.

But how can you tell when the use of force is necessary?  Not all situations are as cut and dry as a bully hitting you.  And how do you avoid becoming the bully yourself, as in the example above?

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Youth Intermediate Class at True Martial Arts Overlake

And . . . how do you teach it to others?

There are many reasons people take up the martial arts.  Some do it for fitness, personal growth or to challenge themselves.  Others do it to be safe.

Be safe?  What is it to be safe?

Being safe is different things to different people but it usually involves a lack of fear and having piece of mind for yourself and those you care for.  That’s still pretty broad but most people know when they’re safe and when they are threatened.  They also have a good idea when they themselves are threatening.

To put it just into words, you should do just enough to keep safe.  Knowing what that limit is can be very easy or very difficult and making sure that younger students know what that is is the responsibility of the instructor and parents.

We have a simple method we teach if someone grabs you.  As you progress through the ranks the grabs get more complex but the foundation is pretty much the same.  It’s a three step method:

  1. Release – get out of the grab, usually by moving the arm through the open fingers of the grab.
  2. Yell “No!” – get attention to yourself.  “No!” creates interest where “Help!” may cause avoidance.
  3. Escape – get to a safe person or place.  Not just away, but to a place of safety.

You’ll notice that there was no striking or attacking involved.  The idea is to be safe, not escalate the situation.  While this method is useful for all, it is most important for kids.  The odds just are not with a kid if they try and fight an adult.  It can also lead to a violent reaction, even if that wasn’t the original intent.

One of the most important aspects of teaching this type of drill is to make sure the students take it seriously.  Usually the younger they are, the more you need to stress this.  I’ve taken a fairly excited class and stopped it cold to make a point about not giggling during a self defense drill.  I’ll need to get the tempo back in the class but for that one moment it needs to be real.

When do you use force?  Should you avoid force at any cost?  Personally I do not believe that you should avoid using force at all costs.  There are too many instances where you cannot guarantee being safe while avoiding force.  Too much is in the hands of the bad guy.  The trick is knowing how much to use and not to cross the line into being the aggressor.

Be safe.  If that means escaping then you escape.  If it means controlling the bad guy then do so.  If that is not an option and in fact there are no options then you need to finish it.  You need to be safe.

Part 2 – safety in confidence and confidence in safety.

Monday, November 1, 2010

Breakthroughs (yes, it’s a pun)

I have to admit it, there’s something immensely satisfying about breaking a board with your own bare hands, or feet, or other handy body part. 

There’s actually a lot behind a successful board break.  And also a lot behind an unsuccessful one if you take time to think about it.

To begin with, why you are doing it is important.  If you’re doing it to show off then you’re probably don’t have the right mind set.  Breaking a board simply to impress someone else, or yourself isn’t the purpose of a board break.

There’s a quote from Enter The Dragon by Bruce Lee at the beginning of his first match in the tournament.  His opponent breaks a board on his head and Lee simply responds, “Boards do not fight back.”  Breaking a board on your head just before you are about to fight someone may not be the brightest move in the world. If you’re doing it to intimidate your opponent then you probably have your priorities mixed up.

Breaking a board is used to demonstrate technique, power and focus.It is commonly done at seminars, tests and public demonstrations.  They may appear easy to some but a person can create a good number of barriers between themselves and a successful board break.  Completing one is quite an accomplishment.


Conner Goan Performing a flying sidekick board break.

Conner after the successful break.


There are three basic types of breaks, each with their own unique challenges.  Difficulty can be increased by breaking multiple boards or combinations of breaks.

  • Power Beak – Using raw power to perform the break.  Examples of this are a simple hammer fist or knife hand through a board or boards supported by cinder blocks.  It is interesting to note that breaking multiple boards without spacers is much more difficult than breaking more than one board separated by spacers.
  • Speed Break – While speed is important in all breaks a speed break relies solely on speed and good technique.  The student substitutes speed for power, going through the board fast enough to break it.  The board is unsupported and can even be dropped or tossed.
  • Chi Break – Possibly the hardest break to understand, the chi break uses energy built up inside to explode out of the body and break the board.  The hand or foot rest lightly on the board, supported by blocks or holders and when they are ready allows their hand or other weapon to break through the board.  This break requires the ability to focus and direct your energy.  It may sound strange but I have done the break and the board did break.

Obstacles that prevent a student from breaking aboard other than the board itself are primarily internal.  There are instances where the student doesn’t have the physical aspect to break a board – they lack the strength or have not developed enough to properly perform a certain technique.  As one would guess this is usually in the younger students and it is the instructor’s responsibility to insure the students safety.

Distractions, fear, doubt, over confidence are all factors that can contribute to an unsuccessful break.  Before a student performs a break I will ask them a simple question, “Are you going to break this board?”  If the answer is anything other than “yes” the student and I take time to insure the student knows they can perform the break.

As an instructor I try not to let my students attempt breaks I know they cannot perform.  This isn’t to say I know every break a student can and cannot do, but after doing this for over ten years there are certain breaks that I know are simply beyond certain people at certain periods in their training.

The student attempts the break and if everything comes together and if all goes well, the board breaks.  If not, well the best that can be hoped for is a little embarrassment on the student’s part.  Worst case is an injury.  This is why any break should be performed with appropriate supervision.

The student practices the break, they bow to the teacher and . . .

“Crack!”

They’ve triumphed over fear and doubt.  They have taken what they have learned and demonstrated it to themselves and others.  It is immensely rewarding, especially if the break has been one that the student has been unable to do in the past.  Even those watching can feel the exhilaration and triumph.

And you now have kindling for the winter months.

Tuesday, October 19, 2010

True Story #4

When I was finished teaching I went into the dressing room to change so I could pick up our daughter.  I get into the dressing room and there are just two people – one of the other instructors who has a number of tatoos and piercings and one of his students, about seven years old.  I walk in and the kid looks right at me and says, “Never mind.”

???????

Wednesday, August 11, 2010

Wednesday: Praise Correct Praise

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Positive reinforcement is not only an important part of learning, it’s vital to how we develop as individuals.  In society it seems that we tend to emphasize the negative, it’s just that we take notice of it more.  In order to counter this strange tendency we have to remember to reemphasize the positive time and time again.

This is especially true in martial arts. We as instructors have to remember that everything we do is an example to our students, whether we plan it that way or not.  A flippant comment to another instructor can have lasting effects and you may never be aware of it.  You have to train yourself to be your best all the time.

After all isn’t what this is all about?

When teaching a student the basic plan is pretty straight forward.  The student is given the information in some manner or form and then is validated by the teacher.  But what if the student doesn’t get it right the first time?  It has to be corrected and this can be done in any number of ways, many of them dangerous and harmful.  Avoiding destroying the students desire to learn is the most important aspect in teaching.  If you simply tell a student they’re wrong you aren’t doing anyone any favors, even if you seem fit to give them the correct information.  This process has to reinforce what the student has already learned and leave them with the desire to learn more.  Once the desire to learn has been beaten down, it can be an overwhelming task to restore.

Praise. Correct. Praise.

It’s been my experience that everyone in their life has that one teacher that changes them, gives the student the ability to change themselves.  I’ve had many wonderful teachers in my life, but the one person who stands out in my life is the late Sa Bum Nim Thomas Zoppi.  Not my first martial arts instructor but the one who left the lasting impression in me.  It’s interesting that I was in my thirties when this person changed my life.

One of the core values he taught me was that as an instructor we need to praise, then correct and praise again.  It’s not correct, then praise.  It starts with praise, laying the foundation of a positive learning experience.  Then the student is more receptive to improvement which can also include correction.  Then to reinforce the experience, praise again is used.

Honest, sincere valuable praise.  Not a hollow compliment that the student knows isn’t true either because they know they weren’t doing it right or they have heard that particular compliment so many times before it has lost any of it’s meaning. 

Using Praise. Correct. Praise. also reinforces the students desire to learn more.  This is the win.

Sometimes at the end of class I’ll ask each student what they learned in class that day.  I’ve never had a student give me an answer that wasn’t honest and sincere, especially when I ask it this way:

“What did you learn today, or what did you get better at?”

Sometimes we can forget that getting better at something is a learning process in its own right. Not only does this time let the student reflect upon their progress that day, but it allows another opportunity to reaffirm a positive class for the student from the instructor and themselves.

At the end of the day it’s the smile of a student as they leave that is the best praise I can receive.